Normal view MARC view ISBD view

The hunger games / Suzanne Collins.

By: Collins, Suzanne.
Material type: materialTypeLabelBookSeries: The Hunger Games trilogy. Publisher: Leamington Spa : Scholastic, 2009Description: 454 p. ; 20 cm.ISBN: 9781407109084; 9781407132082 (pbk.).Subject(s): Premiers' Reading Challenge : 9-10 | Reality television programs -- FictionDDC classification: 813.6 Summary: In a future North America, where the rulers of Panem maintain control through an annual televised survival competition pitting young people from each of the twelve districts against one another, sixteen-year-old Katniss's skills are put to the test when she voluntarily takes her younger sister's place.
Fiction notes: Click to open in new window
Item type Current location Collection Call number Status Date due Barcode Item reserves
Junior Sydenham Library (DIY)
Teenage Fiction T COLL Issued 19/09/2019 IA1374915
Junior St Albans Library
Teenage Fiction T COLL Available IA1664190
Junior Sydenham Library (DIY)
Teenage Fiction T COLL Issued 16/09/2019 IA1664221
Junior Sydenham Library (DIY)
Teenage Fiction T COLL Issued 13/09/2019 IA1664255
Junior Sydenham Library
Teenage Fiction T COLL Available IA1374907
Total reserves: 0

First published: New York : Scholastic, 2008.

In a future North America, where the rulers of Panem maintain control through an annual televised survival competition pitting young people from each of the twelve districts against one another, sixteen-year-old Katniss's skills are put to the test when she voluntarily takes her younger sister's place.

Excerpt provided by Syndetics

From The Hunger Games The moment the anthem ends, we are taken into custody. I don't mean we're handcuffed or anything, but a group of Peacekeepers marches us through the front door of the Justice Building. Maybe tributes have tried to escape in the past. I've never seen that happen though. Once inside, I'm conducted to a room and left alone. It's the richest place I've ever been in, with thick, deep carpets and a velvet couch and chairs. I know velvet because my mother has a dress with a collar made of the stuff. When I sit on the couch, I can't help running my fingers over the fabric repeatedly. It helps to calm me as I try to prepare for the next hour. The time allotted for the tributes to say good-bye to their loved ones. I cannot afford to get upset, to leave this room with puffy eyes and a red nose. Crying is not an option. There will be more cameras at the train station. My sister and my mother come first. I reach out to Prim and she climbs on my lap, her arms around my neck, head on my shoulder, just like she did when she was a toddler. My mother sits beside me and wraps her arms around us. For a few minutes, we say nothing. Then I start telling them all the things they must remember to do, now that I will not be there to do them for them. Excerpted from The Hunger Games by Suzanne Collins All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

Reviews provided by Syndetics

Library Journal Review

In a far-future United States, a cruel Capitol keeps order by demanding an annual tribute for its Hunger Games, in which two contestants, a boy and a girl, are chosen by lottery from each of 12 districts to fight to the death in an event televised from an arena. Katniss Everdeen lives in what used to be Appalachia and is now called the Seam-a dirt-poor district without much hope of success in the games. Katniss volunteers in her sister's place and may just have the smarts to win. Then Peeta, the soft baker's son chosen from her same district, does something surprising. He declares his undying affection for Katniss just before they enter the arena. Is there room for friendship, loyalty, or even love when survival is on the line? Why It Is a Best: Collins's prose is merely serviceable, but she writes compelling characters and spins one terrific yarn. The premise is good to begin with, and the surprises keep coming. Why It Is for Us: In this fight to the death, the book's violence is cringe-worthy by even the most jaded standards. The exploitation of the desperate and impoverished for the entertainment of the wealthy and powerful is a theme reminiscent of Stephen King's The Long Walk or The Running Man. King himself makes the comparison in his Entertainment Weekly review of the book, saying "I couldn't stop reading."-Angelina Benedetti, King Cty. Lib. Syst., WA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Publishers Weekly Review

If there really are only seven original plots in the world, it's odd that "boy meets girl" is always mentioned, and "society goes bad and attacks the good guy" never is. Yet we have Fahrenheit 451, The Giver, The House of the Scorpion-and now, following a long tradition of Brave New Worlds, The Hunger Games. Collins hasn't tied her future to a specific date, or weighted it down with too much finger wagging. Rather less 1984 and rather more Death Race 2000, hers is a gripping story set in a postapocalyptic world where a replacement for the United States demands a tribute from each of its territories: two children to be used as gladiators in a televised fight to the death. Katniss, from what was once Appalachia, offers to take the place of her sister in the Hunger Games, but after this ultimate sacrifice, she is entirely focused on survival at any cost. It is her teammate, Peeta, who recognizes the importance of holding on to one's humanity in such inhuman circumstances. It's a credit to Collins's skill at characterization that Katniss, like a new Theseus, is cold, calculating and still likable. She has the attributes to be a winner, where Peeta has the grace to be a good loser. It's no accident that these games are presented as pop culture. Every generation projects its fear: runaway science, communism, overpopulation, nuclear wars and, now, reality TV. The State of Panem-which needs to keep its tributaries subdued and its citizens complacent-may have created the Games, but mindless television is the real danger, the means by which society pacifies its citizens and punishes those who fail to conform. Will its connection to reality TV, ubiquitous today, date the book? It might, but for now, it makes this the right book at the right time. What happens if we choose entertainment over humanity? In Collins's world, we'll be obsessed with grooming, we'll talk funny, and all our sentences will end with the same rise as questions. When Katniss is sent to stylists to be made more telegenic before she competes, she stands naked in front of them, strangely unembarrassed. "They're so unlike people that I'm no more self-conscious than if a trio of oddly colored birds were pecking around my feet," she thinks. In order not to hate these creatures who are sending her to her death, she imagines them as pets. It isn't just the contestants who risk the loss of their humanity. It is all who watch. Katniss struggles to win not only the Games but the inherent contest for audience approval. Because this is the first book in a series, not everything is resolved, and what is left unanswered is the central question. Has she sacrificed too much? We know what she has given up to survive, but not whether the price was too high. Readers will wait eagerly to learn more. Megan Whalen Turner is the author of the Newbery Honor book The Thief and its sequels, The Queen of Attolia and The King of Attolia. The next book in the series will be published by Greenwillow in 2010. (c) Copyright PWxyz, LLC. All rights reserved

School Library Journal Review

Gr 7 Up-Suzanne Collins's first book (Scholastic, 2008) of a planned trilogy introduces an easy-to-imagine, cruel future society divided by wealth and obsessed with media and celebrity. The controlling Capitol broadcasts the Hunger Games, mandatory watching for all citizens of Panem. The annual event pits 24 Tributes-a girl and boy teen from each of the 12 Districts surrounding the Capitol-against one another in a desperate battle to the death. When 16-year-old Katniss Everdeen steps forward to take her younger sister's place as District Twelve's girl Tribute, she is thrown into a media frenzy, complete with stylists and costumes, literally fighting for her life in the arena. Intense, graphic action, along with a touch of romance, makes this dystopic adventure a great choice for older reluctant readers. Although the plot mimics both Stephen King's The Long Walk (Penguin, 1999) and Running Man (Signet, 1999) as well as Koushon Takami's Battle Royale (Tokyopop, 2007), Collins creates a fascinating world and Katniss is a believably flawed and interesting character. Carolyn McCormick ably voices the action-packed sequences and Katniss's every fear and strength shines through, along with her doomed growing attraction to one of her fellow Tributes. This engrossing audiobook belongs in all public and school libraries.-Charli Osborne, Oxford Public Library, MI (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Booklist Review

*Starred Review* This is a grand-opening salvo in a new series by the author of the Underland Chronicles. Sixteen-year-old Katniss poaches food for her widowed mother and little sister from the forest outside the legal perimeter of District 12, the poorest of the dozen districts constituting Panem, the North American dystopic state that has replaced the U.S. in the not-too-distant future. Her hunting and tracking skills serve her well when she is then cast into the nation's annual Hunger Games, a fight to the death where contestants must battle harsh terrain, artificially concocted weather conditions, and two teenaged contestants from each of Panem's districts. District 12's second tribute is Peeta, the baker's son, who has been in love with Katniss since he was five. Each new plot twist ratchets up the tension, moving the story forward and keeping the reader on edge. Although Katniss may be skilled with a bow and arrow and adept at analyzing her opponents' next moves, she has much to learn about personal sentiments, especially her own. Populated by three-dimensional characters, this is a superb tale of physical adventure, political suspense, and romance.--Goldsmith, Francisca Copyright 2008 Booklist

Horn Book Review

(Middle School, High School) Survivor meets "The Lottery" as the author of the popular Underland Chronicles returns with what promises to be an even better series. The United States is no more, and the new Capitol, high in the Rocky Mountains, requires each district to send two teenagers, a boy and a girl, to participate in the annual Hunger Games, a reality show from which only one of the twenty-four participants will emerge victorious -- and alive. When her younger sister is chosen by lottery to represent their district, Katniss volunteers to go in her stead, while Peeta, who secretly harbors a crush on Katniss, is the boy selected to join her. A fierce, resourceful competitor who wins the respect of the other participants and the viewing public, Katniss also displays great compassion and vulnerability through her first-person narration. The plot is front and center here -- the twists and turns are addictive, particularly when the romantic subplot ups the ante -- yet the Capitol's oppression and exploitation of the districts always simmers just below the surface, waiting to be more fully explored in future volumes. Collins has written a compulsively readable blend of science fiction, survival story, unlikely romance, and social commentary.From HORN BOOK, (c) Copyright 2010. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Kirkus Book Review

Katniss Everdeen is a survivor. She has to be; she's representing her District, number 12, in the 74th Hunger Games in the Capitol, the heart of Panem, a new land that rose from the ruins of a post-apocalyptic North America. To punish citizens for an early rebellion, the rulers require each district to provide one girl and one boy, 24 in all, to fight like gladiators in a futuristic arena. The event is broadcast like reality TV, and the winner returns with wealth for his or her district. With clear inspiration from Shirley Jackson's "The Lottery" and the Greek tale of Theseus, Collins has created a brilliantly imagined dystopia, where the Capitol is rich and the rest of the country is kept in abject poverty, where the poor battle to the death for the amusement of the rich. Impressive world-building, breathtaking action and clear philosophical concerns make this volume, the beginning of a planned trilogy, as good as The Giver and more exciting. However, poor copyediting in the first printing will distract careful readersa crying shame. (Science fiction. 11 up) Copyright Kirkus Reviews, used with permission.

Powered by Koha