Reviews provided by Syndetics
Library Journal Review
A number of ecological and scientific disasters result in a future where cloning is commonplace, gene manipulation runs amuck, and social inequality becomes the norm. Eventually, chaos reigns, modern society destroys itself, and the world reverts to its precivilization history by means of a scientifically created tribe called the Crakers. Playing with language, Atwood makes up words and phrases, with homeroom becoming hoodroom, parents becoming parental units, raccoons and skunks racunks, and pigs pigoons. These tapes are professionally produced, with no background noise or tape hiss. Campbell Scott's flawless and well-paced delivery, combined with his wide range of tonal variations, assists the listener in tracking the various characters and adds to the overall ambiance of the story. Working on many levels, this is a thought-provoking yet frighteningly prescient tale. Recommended for public and academic libraries.-Laurie Selwyn, Grayson Cty. Law Lib., Sherman, TX(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted. All rights reserved.
Publishers Weekly Review
Atwood has visited the future before, in her dystopian novel, The Handmaid's Tale. In her latest, the future is even bleaker. The triple whammy of runaway social inequality, genetic technology and catastrophic climate change, has finally culminated in some apocalyptic event. As Jimmy, apparently the last human being on earth, makes his way back to the RejoovenEsencecompound for supplies, the reader is transported backwards toward that cataclysmic event, its full dimensions gradually revealed. Jimmy grew up in a world split between corporate compounds (gated communities metastasized into city-states) and pleeblands (unsafe, populous and polluted urban centers). His best friend was "Crake," the name originally his handle in an interactive Net game, Extinctathon. Even Jimmy's mother-who ran off and joined an ecology guerrilla group when Jimmy was an adolescent-respected Crake, already a budding genius. The two friends first encountered Oryx on the Net; she was the eight-year-old star of a pedophilic film on a site called HottTotts. Oryx's story is a counterpoint to Jimmy and Crake's affluent adolescence. She was sold by her Southeast Asian parents, taken to the city and eventually made into a sex "pixie" in some distant country. Jimmy meets Oryx much later-after college, after Crake gets Jimmy a job with ReJoovenEsence. Crake is designing the Crakers-a new, multicolored placid race of human beings, smelling vaguely of citron. He's procured Oryx to be his personal assistant. She teaches the Crakers how to cope in the world and goes out on secret missions. The mystery on which this riveting, disturbing tale hinges is how Crake and Oryx and civilization vanished, and how Jimmy-who also calls himself "the Snowman," after that other rare, hunted specimen, the Abominable Snowman-survived. Chesterton once wrote of the "thousand romances that lie secreted in The Origin of Species." Atwood has extracted one of the most hair-raising of them, and one of the most brilliant. (May 6) Forecast: Readers who know Atwood primarily as the author of The Handmaid's Tale will be thrilled by this return to the future; those who follow her work more closely will be even more impressed. This is a potential dystopian classic and should sell accordingly. Author tour. (c) Copyright PWxyz, LLC. All rights reserved
Surely Atwood deserved a respite after The Blind Assassin (2000) won the Booker Prize, but the muse had more to say, hence this hijack-intense speculative novel, sister to one of Atwood's most indelible works, The Handmaid's Tale (1985). Jimmy is struggling to stay alive on a wreckage-littered Earth besieged by a brutal sun and overrun with smart and vicious test-tube-bred predators. Now calling himself Snowman (as in Abominable), he's preparing for an arduous scavenger expedition back to the formerly high-tech compound in which he lived and worked until the bioengineering industry ran amok and a catastrophic event put an end to civilization. Snowman is desperately lonely, but he isn't actually alone since he serves as guru for a strangely passive tribe unaware of the lost world of computers, bullet trains, Web porn, gene-splicing, and the plagues that Snowman so vividly and regretfully recalls. As Snowman remembers his friend, Crake, an emotionally remote genius, as well as the love of Snowman's life, an enigmatic survivor of childhood sexual abuse called Oryx, Atwood conjures a grim, all-too-plausible future in order to consider the possibly devastating consequences of our present ill-advised biotech pursuits. Rigorous in its chilling insights and riveting in its fast-paced "what if" dramatization, Atwood's superb novel is as brilliantly provocative as it is profoundly engaging. --Donna Seaman
Kirkus Book Review
Environmental unconcern, genetic engineering, and bioterrorism have created the hollowed-out, haunted future world of Atwood's ingenious and disturbing 11th novel, bearing several resemblances to The Handmaid's Tale (1985). Protagonist Jimmy, a.k.a. "Snowman," is perhaps the only living "remnant" (i.e., human unaltered by science) in a devastated lunar landscape where he lives by his remaining wits, scavenges for flotsam surviving from past civilizations, dodges man-eating mutant predators, and remembers. In an equally dark parallel narrative, Atwood traces Jimmy's personal history, beginning with a bonfire in which diseased livestock are incinerated, observed by five-year-old Jimmy and his father, a "genographer" employed by, first, OrganInc Farms, then, the sinister Helthwyzer Corporation. One staggering invention follows another, as Jimmy mourns the departure of his mother (a former microbiologist who clearly foresaw the Armageddon her colleagues were building), goes through intensive schooling with his brilliant best friend Glenn (who renames himself Crake), and enjoys such lurid titillations as computer games that simulate catastrophe and global conflict (e.g., "Extinctathon," "Kwiktime Osama") and Web sites featuring popular atrocities (e.g., "hedsoff.com"). Surfing a kiddie-porn site, Jimmy encounters the poignant figure of Oryx, a Southeast Asian girl apprenticed (i.e., sold) to a con-man, then a sex-seller (in sequences as scary and revolting as anything in contemporary fiction). Oryx will inhabit Jimmy's imagination forever, as will the perverse genius Crake, who rises from the prestigious Watson-Crick Institute to a position of literally awesome power at the RejoovenEsense Compound, where he works on a formula for immortality, creates artificial humans (the "Children of Crake"), and helps produce the virus that's pirated and used to start a plague that effectively decimates the world's population. And Atwood (The Blind Assassin, 2000, etc.) brings it all together in a stunning surprise climax. A landmark work of speculative fiction, comparable to A Clockwork Orange, Brave New World, and Russian revolutionary Zamyatin's We. Atwood has surpassed herself. Copyright ©Kirkus Reviews, used with permission.