Normal view MARC view ISBD view

The girl in the spider's web / David Lagercrantz ; translated from the Swedish by George Goulding.

By: Lagercrantz, David [author.].
Contributor(s): Goulding, George (Translator) [translator.].
Material type: materialTypeLabelBookSeries: Publisher: London : MacLehose Press, 2016Copyright date: ©2015Description: [x], 475 pages : map ; 20 cm.ISBN: 9780857059093 (paperback).Uniform titles: Som inte dödar oss. English Contained works: Larsson, Stieg, 1954-2004 [creator.].Subject(s): Blomkvist, Mikael (Fictitious character) -- Fiction | Salander, Lisbeth (Fictitious character) -- Fiction | Journalists -- Sweden -- Fiction | Hackers -- Fiction | Stockholm (Sweden) -- FictionGenre/Form: Detective and mystery fiction.DDC classification: 839.7/38 Summary: Lisbeth Salander and Mikael Blomkvist have not been in touch for some time. Then Blomkvist is contacted by renowned Swedish scientist Professor Balder. Warned that his life is in danger, but more concerned for his son's well-being, Balder wants Millennium to publish his story - and it is a terrifying one. More interesting to Blomkvist than Balder's world-leading advances in Artificial Intelligence, is his connection with a certain female superhacker. It seems that Salander, like Balder, is a target of ruthless cyber gangsters - and a violent criminal conspiracy that will very soon bring terror to the snowbound streets of Stockholm, to the Millennium team, and to Blomkvist and Salander themselves.
List(s) this item appears in: Movie Tie-In Fiction notes: Click to open in new window
Item type Current location Collection Call number Status Date due Barcode Item reserves
Default Deer Park Library
Fiction LAGE Available IA2013152
Default Sunshine Library (DIY)
Fiction LAGE Available IA2013153
Total reserves: 0

"Continuing Stieg Larsson's Millennium series"--Cover.

"Now a major motion picture"--Cover.

Originally published with title: Som inte dödar oss.

Lisbeth Salander and Mikael Blomkvist have not been in touch for some time. Then Blomkvist is contacted by renowned Swedish scientist Professor Balder. Warned that his life is in danger, but more concerned for his son's well-being, Balder wants Millennium to publish his story - and it is a terrifying one. More interesting to Blomkvist than Balder's world-leading advances in Artificial Intelligence, is his connection with a certain female superhacker. It seems that Salander, like Balder, is a target of ruthless cyber gangsters - and a violent criminal conspiracy that will very soon bring terror to the snowbound streets of Stockholm, to the Millennium team, and to Blomkvist and Salander themselves.

Translated from the Swedish.

Excerpt provided by Syndetics

Frans Balder had always thought of himself as a lousy father. He had hardly attempted to shoulder the role of father before and he did not feel comfortable with the task now that his son was eight. But it was his duty, that is how he saw it. The boy was having a rough time living with Balder's ex-wife and her obnoxious partner, Lasse Westman. So Balder had given up his job in Silicon Valley, gotten on a plane home to Sweden, and was now standing at Arlanda airport, almost in shock, waiting for a taxi. The weather was hellish. Rain whipped onto his face and for the hundredth time he wondered if he was doing the right thing. That he of all self-centred idiots should become a full-time father, how crazy an idea was that? He might as well have gotten a job at the zoo. He knew nothing about children and not much about life in general. The strangest thing of all was nobody had asked him to do it. No mother or grandmother had called him, pleading and telling him to face up to his responsibilities. It was his own decision. He was proposing to defy a long-standing custody ruling and, without warning, walk into his ex-wife's place and bring home his boy, August. No doubt all hell would break loose. That damn Lasse Westman would probably give him a real beating. But he put that out of his mind and got into a taxi with a woman driver who was dementedly chewing gum and at the same time trying to strike up a conversation with him. She would not have succeeded even on one of his better days. Balder was not one for small talk. He sat there in the backseat, thinking about his son and everything that had happened recently. August was not the only--or even the main--reason why he had stopped working at Solifon. His life was in turmoil and for a moment he wondered if he really knew what he was getting himself into. As the taxi came into the Vasastan neighbourhood Balder felt as if all the blood was draining from his body. But there was no turning back now. He paid the taxi on Torsgatan and took out his luggage, leaving it just inside the building's front entrance. The only thing he took with him up the stairs was an empty suitcase covered with a brightly coloured map of the world, which he had bought at San Francisco International. He stood outside the apartment door, panting. With his eyes closed he imagined all the possible scenarios of fighting and screaming, and actually, he thought, you could hardly blame them. Nobody just turns up and snatches a child from his home, least of all a father whose only previous involvement had consisted of depositing money into a bank account. But this was an emergency, so he steeled himself and rang the doorbell, resisting the urge to run away. At first there was no answer. Then the door flew open and there was Westman with his piercing blue eyes and massive chest and enormous fists. He seemed built to hurt people, which was why he so often got to play the bad guy on screen, even if none of the roles he played--Balder was convinced of this--were as evil as the person he was in real life. "Christ," Westman said. "Look what we have here. The genius himself has come to visit." "I'm here to fetch August," Balder said. "You what?" "I'm taking him away with me, Lasse." "You must be joking." "I've never been more serious," he tried, and then Hanna appeared from a room across to the left. True, she was not as beautiful as she had once been. There had been too much unhappiness for that and probably too many cigarettes and too much drink as well. But still he felt an unexpected wave of affection, especially when he noticed a bruise on her throat. She seemed to want to say something welcoming, even under the circumstances, but she never had time to open her mouth. "Why should you care all of a sudden?" Westman said. "Because August has been through enough. He needs a stable home." "And you think you can provide that, you freak? Since when have you done anything except stare at a computer screen?" "I've changed," he said, feeling pathetic, in part because he doubted that he had changed one little bit. A shiver ran through Balder as Westman came towards him with his mighty bulk and his pent-up rage. It became crushingly clear that he would have no means of resistance if that madman let fly. The whole idea had been insane from the start. But surprisingly there was no outburst, no scene, just a grim smile and then the words: "Well, isn't that just great!" "What do you mean?" Hanna asked. "That it's about time, isn't it, Hanna? Finally some sense of responsibility from Mr. High and Mighty. Bravo, bravo!" Westman clapped his hands theatrically. Afterwards that was what Balder found the most frightening--how easily they let the boy go. Perhaps they saw August only as a burden. It was hard to tell. Hanna shot Balder some glances which were difficult to read and her hands shook and her jaw was clenched. But she asked too few questions. She should really have been cross-examining him, making thousands of demands, warning him and worrying that the boy's routine would be upset. But all she said was: "Are you sure about this? Will you manage?" "I'm sure," he said. Then they went to August's room. Balder had not seen him for more than a year and he felt ashamed. How could he have abandoned such a boy? He was so beautiful and strangely wonderful with his curly, bushy hair and slender body and serious blue eyes, engrossed in a gigantic jigsaw puzzle of a sailboat. His body seemed to cry out, "Don't disturb me," and Balder walked up to him slowly, as if approaching an exotic creature. He nonetheless managed to get the boy to take hold of his hand and follow him out into the corridor. He would never forget  it. What  was August  thinking? What  did he imagine was happening? He neither looked up at him nor at his mother and of course he ignored all the waving and the words of farewell. He just vanished into the lift with Balder. It was as simple as that.   Excerpted from The Girl in the Spider's Web by David Lagercrantz All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

Reviews provided by Syndetics

Library Journal Review

Though purists may debate this, Lagercrantz here embraces the challenge of sustaining the late Stieg Larsson's characters in a complex tale of cyberhacking and kidnapping. While much of the early chapters establish the technological intrigue, the story amps up after artificial intelligence expert Frans Balder is murdered in front of his autistic son, August, and Lisbeth enters the story as the boy's life is threatened. She is still the strong, enigmatic, vengeful heroine, while Mikael Blomkvist is perhaps too conveniently on the scene for many of the key conflicts as the plot slowly reunites them. Lagercrantz stays true to Salander's traumatic past and develops it further. Since the original trilogy was so well received and Larsson's death seemed to close any future encounters with such intriguing characters, this is a promising relaunch. Simon Vance's well-honed voice is featured well here. -Verdict Highly recommended for mystery/thriller audiences. ["Compulsively readable to the electrifying end": LJ Xpress Reviews 9/4/15 starred review of the Knopf hc.]-Joyce Kessel, Villa Maria Coll., Buffalo © Copyright 2016. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Publishers Weekly Review

With Lagercrantz's prose acceptably miming the late Stieg Larsson, and Vance once again lending his rich, clipped British narration to the dynamic adventures of antisocial ultrahacker Lisbeth Salander and altruist reporter Mikael Blomkvist, the Sweden-set Millennium series continues almost seamlessly. This book finds Bloomkvist searching for a rejuvenating new project when he hears about an artificial intelligence genius named Balder whose latest creation has been stolen by Russian cybercriminals. Before he can talk to Balder, the man is murdered, and his autistic child, a witness to the crime, is placed in the care of a vile guardian. Salander steps in, vowing to right all wrongs. Vance doesn't just add a throaty quality to Bloomkvist's voice; there's also weariness and despair, both of which fade as the plot quickens. Salander speaks in a harsh staccato, underlined by impatience and an inability to compromise. Vance's presentation of the other characters is just as spot-on, including a gruff but understanding detective named Bublanski and an NSA superhacker named Needham, who admires Salander as much as he despises her. Every aspect of the novel benefits from Vance's vocal timbre. A Knopf hardcover. (Sept.) © Copyright PWxyz, LLC. All rights reserved.

Booklist Review

*Starred Review* In our 2008 review of The Girl with the Dragon Tattoo, which was published in the U.S. after Stieg Larsson's death, we lamented the fact that there would be only three books in which to watch the charismatic Lisbeth Salander take on the world. That, of course, turned out to be a mistaken assumption. Salander may work most of her magic in the deepest recesses of the Internet, but what she does there never fails to have international repercussions. So it is with the punky hacker's fourth appearance in print, in a novel published worldwide three days ago by the Swedish house Norstedts, which gained rights to Larsson's franchise after a headline-making legal battle between the author's heirs and his longtime girlfriend, Eva Gabrielsson. Sympathy for Gabrielsson, who was vehemently against the publication of another Salander novel, has shrouded this book in a controversy not unlike that swirling about Harper Lee's Go Set a Watchman, but now, thankfully, it's time to set all that aside, at least for the moment, and focus on the book itself.The Girl in the Spider's Web is a very fine thriller, true to the characters and the world Larsson created but also taking the ongoing story in some new and exciting directions. Wisely, Lagercrantz begins with a set of new characters, principally Swedish computer genius Frans Bader; his autistic savant son, August; and the bulldog head of security at the NSA, Ed Needham. After uncovering evidence that the NSA may be working with the Russian Mafia to steal Bader's groundbreaking work on quantum computing, the techno genius leaves his Silicon Valley position and returns to Sweden to care for his son. Meanwhile, our heroes from the Millennium Trilogy, Salander and journalist Mikael Blomkvist, have troubles of their own. Salander has hacked part way into the NSA's Intranet in search of information concerning the crime ring formerly led by her father and now in the hands of her twin sister, Camilla; and Blomkvist is struggling to protect his magazine from a takeover by a media giant eager to make the muckraking journal more commercial. So much for setup; where Lagercrantz shows his stuff here is in bringing these plot strains together into what is both a fascinating exploration of electronic surveillance and a gripping, highly suspenseful personal drama in which Salander and the autistic August are thrown together and find strength from one another, Salander seeing her young self in August and August realizing that there are other people whose heads are also full of very long numbers swirling in unexpected directions.Lagercrantz excels not only with the major characters but also with the supporting cast, giving us moving snapshots of the rabbi-quoting cop Bublanski; the ferocious, crew-cut Needham, who forms a surprising bond of respect with his nemesis Salander; and, of course, the chilling Camilla, who ably steps in to take her father's place as the Evil One. Hats off to Lagercrantz, then, for taking on a daunting challenge and rising above the controversy to do good work. In the end, though, this book, like Larsson's trilogy, is all about Salander. She is one of those characters like Hamlet, like Holden Caulfield who somehow jumps free of authorial restraint and goes where she wants to go. This book works because Lagercrantz has the great good sense to let Salander run free.--Ott, Bill Copyright 2015 Booklist

Kirkus Book Review

Lisbeth Sander returns, bruises raw and dander up, in this continuing installment of the late Stieg Larsson's crime series. Lisbeth is perhaps getting a little long in the tooth to be called a girl, but no matter: she still has a young person's aching desire to right the wrongs of the world. There are plenty of them, no doubt, but Swedish journalist/biographer Lagercrantz gives this the timeliest of spins by centering evil on the National Security Agency and its villainous operatives ("Ingram usually had a malicious grin on his face when he stuck a knife in someone's back"), who dig illicit sex and snappy repartee and all the usual things that bad guys enjoy. The NSA and its explosive chief data cowboy make perfect foils, as it happens, for Lisbeth and her cohort of hacking pals, bearing names like Trinity, Plague, and Bob the Dog. Lagercrantz follows the Larsson formula: take a more-or-less ordinary event, in this case a brittle battle over custody rights, and wrap it into a larger crime that the smaller one masks. It's not as if he doesn't skip a beat in doing so, but mostly he captures Larsson's patented tone, a blend of journalistic matter-of-factness and world-weariness. If the bad guys are sometimes cardboard cutouts, Lisbeth is fully rounded in her furyas one of them cries, "What kind of freak are you?" No ordinary one, as Larsson well established and Lagercrantz reinforces. Larsson's journalist hero/alter ego Mikael Blomkvist returns as well, bound in events while trying to do his work in the face of disappearing print, focus groups, and consultantsthe latter a force for evil as formidable as the spooks back at Fort Meade. "It was no bloody market analysis that had created the magazine," he fumes. "It was passion and fire." Passion and fire, check: there are plenty of both here and plenty of loose character-development ends to pick up in another sequel. Fast-moving, credible, and intelligently told. Larsson fans won't be disappointed. Copyright Kirkus Reviews, used with permission.

Powered by Koha